
In this image we used Illumination Editor to place the light
on the top right corner and reduce the light on the hand (See
tutorial on Illumination Editor).
Next we use Graduated Color to warm up the color of the light,
since it in this image has a undesirable cold cast...
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First we only used Color One, at 30 degrees to target the
upper right corner. We set the filter color with the color
picker by selecting a fleshy-sandy color. Since we are primarily
interested in the midtones and don't want to flatten the lights
more than they are, we turned "Lights" down to 25
in "Retouch Levels". Now you might complain there
is a warm cast, so let's fix that in an interesting way...
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Here we added Color Two and used the Comp. button to set the
color to the complementary of Color One. This heightened the
mystery of the cool pensive fingers against the warm flesh
of the face and the red lips. A subtle use of complementary
colors will greatly enhance the drama or mystery of an image
and counter balance any tendency to color cast.
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