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Exposure |
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Exposure |
This
control-group changes exposure and other related factors.
Since badly exposed areas often lack proper color definition, we
implemented the option to adjust saturation.
Black Alert and White Alert will notify you of areas, that clip
pure white and pure black
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Exposure
stops
Exposure
Correction |
The Exposure Stops slider is carefully
calibrated to do the same as regular exposure stops (see
examples below).
When you turn on "Exposure
Correction, the algorithm is the same as used in our BW Studio plugin;
but the Exposure Corrector plugin offers a larger range.
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Examples
of exposure filtering compared to Fuji standards |
Exposure |
Fuji standard
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Normal exposure
(seen below)
compensated with
the plugin.
Normal color preservation.
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Exposure compensated and color compensated
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+ 2/3
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Color -30
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+ 1/3
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Color -15
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Normal exposure
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<<< This is the
photo used for our exposure correction.
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- 1/3
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Color +15
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- 2/3
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Color +20
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Fuji
chart of exposures |
This chart
used above is mainly concerned with push processing, but third column
illustrates normal exposure bracketing and is used for the above.
See the full size scan here
(225 kb jpeg) if you want to verify these examples for yourself.
[Scanned from: Fuji Pro-Value, August 2001, vol. 6]. |
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Offset |
Offset will simply add or subtract
an even amount of brightness from the entire image.
This can be used in conjunction with either Exposure or Shadow Depth. |
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Shadow
Depth |
Shadow Depth will darken shadows
by reducing their exposure. |
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Color |
The color slider does not do simple
saturation, but will emulate the way colors are more or less saturated
in nature as can be deduced from the image. |
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Examples
Compensating underexposure |

Original photo
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Exposure + 2 stops
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Exposure + 4 stops
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Exposure + 4 stops
Color +80
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Examples
Compensating overexposure
and faded photos |
This photo is both overexposed and faded with age (it's 50 years old).
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Original photo
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Exposure - 4.00 stops
Color +40
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Exposure - 4.00 stops
Color +80
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Retouch levels |
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Retouch levels |
These
sliders let you decide it you want to apply exposure correction to
lights, midtones or darks.
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Graduated effect |
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These
controls are common for many of the Power Retouche plug-ins. Using
graduated effect will cause the filter to apply it's filtering at
full strength in one side of the image and then fade the effect
out towards the other side. You can change direction by right clicking
the preview. Midpoint will shift the balance between how large an
area will be filtered at full strength and how much will have a
faded out effect. Contrast will change the accelleration and spread
of the fade-out.
In this example we applied a graduated effect towards the bottom,
setting midpoint low. This retouch brought light into the underexposed
foreground, bringing it forward, without altering the horizon or
sky.
 
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Use brightness range |
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Brightness
range
Dark limit
Light limit
Target
Mask |
These
three sliders let you target your exposure compensation to a specific
brightness range.
From - pixels darker that this will remain unchanged.
Up to -pixels lighter than this will remain unchanged.
Target - pixels at this brightness value will be changed
the most.
Mask unchanged - checking this will mask all pixels out of
range as the selected mask color. Change the color by clicking in
the colored rectangle.
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Example
of targeted exposure compensation |
Here's an example of a difficult theme. We want to raise exposure in the shade but preserve the lights.
Target the lightest pixels within the range
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Original
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Mask
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Exposure + 2.00 stops
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Use color range |
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These
filter controls let you target exposure compensation to a specific
range of color hues.
From - only colors to the right of this slider will be changed.
Up to - only colors to the left of this slider will be changed.
This means that depending on if the upper slider is to the left
or right of the lower slider, the selected colors will be those
in between or outside the sliders.
Softness - when 0, all selected colors will be equally changed.
At higher settings, the effect will fade more and more out. The
higher the setting, the wider the fadeout, hence the softness. |
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Example
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Targeting an overexposed sky with color-range |
In this photograph the barren and
somber mood of the mountains with the isolated dashes of cloud captured
our attention, but in the photograph the sky (as is so common) got
overexposed.
We used the color-range to target only the blue sky. And then added
the brightness range to also mask out the blue shadow on the mountain.
Also we wanted the targeted effect than brightness-range provides,
so we would get a wider dynamic range into the originally rather
flat sky.

Original photo
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The mask used
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The final exposure compensated sky
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